Posts in Storytelling
Enhanced SOTU 2015

Many of you know that I'm a big fan of a little-noticed addition our President has made to the age-old tradition of the State of the Union address. The White House has recognized the visual, media-hungry, short attention span society we have become and has responded by adding slides to the President's annual address of Congress and the nation.

No, there are no screens behind the President, and if you watch on TV, you won't see the slides. But if you watch online in real-time or afterward, you can view the Enhanced State of the Union that includes composite video of the President and a sidebar of vertical visuals (slides) that hit key points of the President's speech.

As usual, not every slide is perfect (really, they have got to lose the red text over blue backgrounds...), but I have noticed the visuals getting better each year. And what I noticed most of all this time was an increased use of imagery. The slides continue to become simpler and more effective for communicating their message in fractions of a second.

And if you just want to view the slides, they are on SlideShare.

Book Review: The Presentation Lab by Simon Morton

The Presentation Lab makes very clear upfront that readers will not learn how to create more visually appealing or better designed slides. And while this is one of the more illustrated business books I’ve read in a while, it just isn’t about the visual side of effective presentations, but rather what needs to go into a presentation’s intent, structure and story creation.

After busting some presentation myths (such as the 10/20/30 rule), the book launches into a discussion of storytelling for the sake of your audience and stresses the fact that a presentation must be about the audience first, foremost and always. Okay, audience-focused presentation is nothing new, but what The Presentation Lab brings to the table is what I think is the most solid of nuggets in the book: The Audience Heat Map. Morton identifies three essential audience types (which are not mutually exclusive) and then shows how to craft a presentation specific to a unique audience. Examples and case studies are used to show how to appeal to audiences that may be factual, visionary and/or emotional. Even if you put the book down at this point and began incorporating this thinking, you’ll find yourself creating better presentations.

The book then moves onto story flow, although I do wish there continued to be more examples and case studies of this topic as there were with audience identification. There is a valuable discussion of simplicity and some wonderful simple arguments for the same: is you message simple enough to be shared with others?

The book reads quickly, and is witty (“rumor has it Churchill was rubbish at PowerPoint”), but being more of a system (though thankfully a well-thought out and simplified one), it’s harder to skim or to jump around. What Morton makes clear throughout, however—and really brings home with some appropriate client stories and case studies from his firm Eyeful Presentations—is that this disciplined approach is not for the careless or extremely time-crunched presenter. A deliberate approach to creating a successful presentation doesn’t have to mean endless hours of storyboarding, sticky notes and outlining, but it does require attention to one’s audience and one’s goals. If you’re willing to meet the Presentation Lab halfway there, I think this is an excellent book that has the potential to dramatically improve the effectiveness of one’s presentations. If you are like many of Eyeful’s clients, and are genuinely serious improving your presentation and not just making pretty pictures, give it a careful read. If you just want pretty slides, look elsewhere.

What do I think is missing? I would have loved to have seen more examples of what Morton considers successful slides. For example, in declaring the Presentation Zen style a busted myth, it would have been great to have seen some actual visual counter-examples. And while certain one-off topics do seem on-topic, the very brief discussions of data, infographics and stock imagery still struck me as not quite part of the organic whole. But that’s just me quibbling.

I had been looking forward to the book for quite some time, and I was not disappointed. I think it’s a valuable addition to the bookshelf of any serious presenter and presentation creator.

Buy it here!

What is Corporate Visual Storytelling?

What is visual storytelling in a corporate environment?

Product photos on a consumer brand Facebook page? An annual report rendered as an infographic? The holy grail viral marketing video shot by the summer intern (or very expensive hipster digital agency)?

Lululemon, the recently embattled yoga wear brand, just hired Laurent Potdevin as their new CEO. The company has struggled recently under some bad press for corporate practices, embarassing statements by leadership and even product recalls. 

Lululemon is hoping that Potdevin, a former leader at Luis Vuitton, Burton snowboards and Toms shoes will turn the corporate fortunes and reputation around. And to introduce him to customers and shareholders, they released a simple, but well-produced video that is pure visual storytelling.

I love it.

Visual storytelling was much of what I helped Edelman raise the bar on during my years at the company. Many of you know that I recently left the PR firm to start my own consultancy. If you would like to learn how I am now working with other organizations to improve their visual communications, drop me a line

The New Multimedia Storytelling

It's not news that people all over are experimenting with how to tell more visual stories online and on screens. One might say that this has been going on since the birth of the personal computer and then the internet, but there is definitely a new age just beginning. I think Nancy is at the forefront in her way, but I would have to say that the New York Times is leading the pack in their way. They are still the masters at visual journalism and visualizing data, but they have also been experimenting with multimedia storytelling for longform articles. It started with a story called Snow Fall, and has been followed up with similar (and in my view more successful) pieces such as The Jockey and A Game of Shark and Minnow.

Snow Fall, which the New York Times worked on supposedly for a whole year, received a lot of praise and criticism, and in the end the consensus is that it wasn't entirely successful. But that's not the point. It's the experimentation and the willingness to explore new storytelling techniques that is keeping The New York Times and people like Nancy Duarte at the forefront. 

Resonate: Multimedia Version

Well, she's done it again.

Nancy Duarte continues to innovate and show people how storytelling, visual communication and presentation should be done.

I have written about my admiration for her second book, Resonate, before. It is the first and only true in-depth analysis of successful presentation construction that I know of, and it is a perfect companion Slide:ology, her first book that I often give out to people who are serious about becoming better presenters. Nancy has long been interested in bringing her books to life in an appropriately multimedia format, and she has now converted Resonate into a highly interactive HTML5 online edition.

And perhaps the most amazing part is that she is making this edition absolutely free. You can also get it as an interactive iBook, also for free.

Did I mention that Nancy is literally giving away one of the best written and produced presentation books around for free? Yes, you can spend money and buy it from Amazon, but then you don't get all the interactive and multimedia features which include Nancy herself bringing much of the text to life.

Seriously, just go here and start reading this afternoon...

Zimmerman Prosecutors Use Kindergarten-like PowerPoint Slides as Closing Remarks
 

Holy crap. If there's anything that says, "incompetent, careless prosecution," it's the juvenile and horribly created PowerPoint slides that the Zimmerman prosecutors used in their closing arguments. There's not much point in redesigning these or explaning the utter fail these are in terms of effective communication and persuasion. They pretty much speak for themselves.

Why not just bring your 6 year old in to deliver closing arguments for you?

Full set of slides here.

 
What Business Pitches and Sex Have in Common

What do business pitching and sex have in common? Well with certain exceptions, not a whole lot of people get to see you engage in either of them. Really, how do you stack up against the competition in the boardroom? (Or bedroom for that matter.)

You might have seen Facebook's original ad sales deck from 2004 which is a fascinating archeological find.

But Business Insider seems able to get their hands on VC pitch decks fairly often, and I'm always interested to see how big and not so big names actually pitch and design their slides.

Here's a recent one from Buffer, a social media startup. What it lacks in design and visual storytelling, it makes up for in simplicity and clarity.

 

And this 18 slide deck from Dwolla netted the founders $16.5 million in startup funds.

 

And finally, take a look at AirBnB's investor pitch deck. Not bad...except for the incorrectly sized data bubbles...

 

Visual Storytelling in Citizen Kane via Presentation Zen

Garry Reynolds has a repost of a really nice analysis of some of Orson Welles's visual storytelling techniques in Citizen Kane.

Check it out.

And if you want a fantastic read on Welles's early life and his storytelling in the theatre and on radio, pick up Simon Callow's Orson Welles: Volume 1: The Road to Xanadu. My favorite story from the book involves Welles's WPA production of Macbeth. In order to achieve deep perspective on stage for a battle sequence, he hired very short actors to stand far upstage with spears. 

StorytellingComment
Businessweek's Racist Visual Storytelling

Businessweek has produced some excellent cover designs, but they are rightfully being pilloried right now for this current cover that is so over the top, misguided and overtly racist that I hardly know where to begin.

The thing that most strikes me about the cover is that the visual story the cover tells is is one that could never in this day and age be written with words inside the magazine.

A little context: The cover story inside the magazine is about a new housing boom in Phoenix. It's a fairly non-controversial piece about home builders, house flippers, short sales, real estate agents and people who found themselves underwater with their mortgages. Apparently, things are on the rebound in Phoenix and prices are again rising after the housing bubble of a few years ago. But the cover makes no reference to the Phoenix housing market or players; it instead portrays a popular, but fallacious view of the housing bubble that blames the entire market meltdown on greedy, low-income home buyers who took advantage of the banks through fraudalent loan applications. It's a storyline popular in certain circles that absolves the banking and loan industries and portrays them as victims with no responsibility for reckless behavior that crashed the economy.

While borrowers were not completely blameless, pinning the entire economic crisis on minority home buyers is a storyline that Businessweek could never have gotten away with, because the facts are simply not there. They have too much credibility to even try to go there with their writing.

But this is a story that was all too easy tell visually—which they did with this outrageous cover.

I really can't comprehend how this cover made it past even one employee let alone past editors and publishers and all the way to print. But it did...and in the 21st century, not the 19th.